Jansons Dirigiert Bruckner
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Anton Bruckner’s symphonies had been a relentless a part of the repertoire for Mariss Jansons and the Symphonieorchester des Bayerischen Rundfunks. The prevailing recordings – virtually all the nice Bruckner symphonies are vital paperwork of Jansons deep understanding of the works, and the excessive musical high quality of the recordings additionally testifies to the lengthy Bruckner custom on the BRSO. Jansons adopted Bruckners notes and markings with painstaking precision, and listening to a recording with the rating reveals repeatedly how intently the conductor studied these works with the musicians of his orchestra. Bruckner’s symphonies type the spine of Late Romantic symphonic music. To a sure extent, Bruckner reinvented the symphony one thing that not even Liszt or Wagner had dared to do within the wake of the groundbreaking masterpieces of Beethoven, which till then had been thought of the end result and conclusion of the style. It was Bruckner and, considerably later, Brahms who sought and located new strategies of reviving the symphonic style and growing it additional. On this regard, Bruckner’s method was totally new. From the outset, he relied on the sound of the massive orchestra and, fairly than mixing the person teams of devices, he tended to both separate them from one another or couple them collectively like organ registers (with which, as an organist, he was very acquainted). Terraced dynamics, that’s, the rapid juxtaposition of piano and forte with out transition, was additionally one thing Bruckner derived from organ music. As a church musician, he had shut contact with these and different components of Baroque music, they usually flowed into his symphonies. So far as dramaturgical growth was involved, he tended to favor Schubert; certainly, it was the natural continuation and alternating interconnection of themes Bruckner had discovered from Schubert that additionally explains the unprecedented efficiency size of his symphonies.
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